Abstract:
In epic and later literature, Helen is a consummate performer of tales and songs. This is an aspect that informs Helen’s defence speech in Euripides’ Trojan Women, in which she manipulates to her advantage a poetic tradition that was largely hostile to her. It is thanks to her skilful appropriation of poet’s tales that Helen, the supreme performer, albeit starting from a disadvantageous position, manages to carry the day in the debate against her opponent Hecuba and her sophistically informed rationalistic argumentation.
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