-
MICHAEL EWANS
THE THREE CHANGES OF SCENE IN EXTANT GREEK TRAGEDYAbstract |
-
MARINA PASCHALIDOU
Ὥσπερ φαρμακόν; SCAPEGOAT RITUALS AND THE RELATIONSHIP OF COMEDY TO IAMBUSAbstract |
-
I. M. KONSTANTAKOS
DOG WILL HAVE HIS DAY. FABLE, FAIRY TALE, AND POLITICS IN ARISTOPHANES’ “TRIAL OF THE DOGS” (WASPS 826–1008)Abstract |
-
PHILIPPOS KARAFERIAS
OF TOMBS AND KINGS: DEATH AND SOVEREIGNTY IN OEDIPUS AT COLONUSAbstract |
-
TRIANTAFYLLIA GIANNOU
THE TRAGIC POETS IN ARISTOTLE’S POETICSAbstract |
-
KATERINA PHILIPPIDES
GORGIAS: THE NEGLECTED STEPSON IN MENANDER’S DYSKOLOSAbstract |
-
DIEGO DE BRASI
HELLENISTIC SCHOLARSHIP ON ANCIENT COMEDY: A CONCERN WITH HUMOR AND WIT?Abstract |
-
AGIS MARINIS
JULIAN’S ORATION TO THE CYNIC HERACLEIOS AGAINST THE BACKDROP OF GREEK DRAMAAbstract |
-
ΜΑΡΙΑ ΠΑΥΛΟΥ
Η ΧΡΥΣΟΘΕΜΗ, Η ΜΕΓΑΛΗ ΑΔΕΛΦΗ ΤΗΣ ΚΑΙ Η ΜΑΝΑ ΤΟΥΣAbstract |
-
KYRIAKH A. IOANNIDOU
FRAGMENTARY COMEDY IN PERFORMANCE. REINTRODUCING ANCIENT COMIC FRAGMENTS TO THEATRE PRACTITIONERS THROUGH DIGITAL ARCHIVESAbstract |
-
TIMOTHY K. MOORE
BOOK REVIEW: DRAMATIC SPACE AND PERFORMANCE IN NEW AND ROMAN COMEDYAbstract |
-
CHRYSANTHI MITTA, GEORGIA DIMOPOULOU
BIBLIOGRAPHICAL SUPPLEMENT: A BIBLIOGRAPHY OF EURIPIDES’ TROADES (1925-2025)Abstract |
