This article aims to examine both the mimic specialisation of kinaidoi and the correlated literary productions of the kinaidologoi and ionikologoi. Within this framework, relative sub-genres, such as hilarodia, magodia, simodia and lysiodia are discussed. In the present second part, the literary sources for all the aforementioned sub-genres are examined, as the archaeological evidence has already been dealt with in the first part. The general conclusion is that not only lyric mime (in the framework of which the solo performance was significant) existed in Antiquity, but also that, from the fourth century BC onwards, a large variety of entertainment genres developed, similar to those encountered in the modern music hall and cabaret performance.
